MOST PEOPLE: A Work in Progress
“Most People” is a collaborative, explorative dance & video work directed by Kate Morales & Nic Koller.
Sometimes we are incapable of getting the “important” things done. Procrastination, self-deprecation, low expectations, misinformation, all lead directly to our individual failures. History repeats itself through economic recession, fear mongering & inaction in the face of Fascism. People relapse, relationships resume their old patterns & artists miss their deadlines. As long as we’re fed, we’re okay, right? “Most People” is the first draft of a dance/video installation that explores the individual & collective dysfunctionality of human behavior.
Kate and Nic began with a concept born from a place of political unrest and distrust in our futures. The movement that followed seeks to make sense of a woman’s place in the landscape of social and political repression.
How are women used as agents of war against other women? How are we complicit in the advancement of some which necessitates the displacement of others? Do we participate blindly or gleefully? How are we projecting our own failures onto others and what does it mean to see each other succeed? Is the feminine experience being weaponized against us, and are we wielding that weapon?
Opening duet is a reimagining of a work by Anamnesis Dance titled Microchimerism, which premiered July 2016 as part of Lost: Found Dance Festival.
Performances by Lara Mahler, Michelle Sagarminaga, Rebecca Gual, Samantha Bergman & Kate Morales. Featuring recorded spoken word by Estevan Vianes. Set design by Emma Zbiral-Teller. Live music by Nic Koller.
Presented by the Tank for “SPATIAL FILM” at Standard Toykraft on 11/13/2016.
Estevan ♥’s Koreatown at Monkey Town
Friendly Lyft driver, Estevan, recounts stories about his neighbors & the history of LA’s Koreatown in this cracked, cubist short. Featuring Estevan Vianes. Installation footage by Matt Sessions.
This 2-channel version of Estevan ♥’s Koreatown ran in the nightly video program at Monkey Town 7 LA. The New York City cinema and dining project was open in Downtown Los Angeles for its Final Edition from June 1 through October 15, 2016. After 10 years in New York, Monkey Town traveled to Denver (2014), Barcelona (2015), and finished a 3-month run in Austin in February. The audience sat inside a giant 27-foot cube, watching a two-hour multi-screen video art program, dining on 5-course menus by Chef Nick Montgomery.
“Part-immersive video and film installation, part culinary experience, part communal gathering but in total, what Monkey Town is, is a personal narrative developed by the visitor.”
— Vice Magazine
FOOD FOR THE MOON
Georges Gurdjieff once referred to humanity as “food for the moon”, explaining that our existence is part of a large magnetic field, constantly pulling and feeding. Whatever we do, whatever choices we make, however long we live, we will eventually be consumed by our surrounding atmosphere for the sake of its vitality, conscious or not. This vitality is powered by the sun, at the heart of the cycle, which projects heat and light onto the atmosphere, bounced back to us by the reflective moon. This is nature. We are all mirrors.
“Food for the Moon” is an experiential video installation exploring small moments of that magnetic field. Through atmospheric shifts in a dark room, can we begin to understand our cyclical relationship to everything that surrounds us?
Please feel free to take your shoes off and tread on our elements, here for your sensory consumption. Though they are human-oriented and manipulated, they are nature-made and still floating along in space beside us and everything else.
Made in collaboration with Emma Zbiral-Teller & Jenn Ruff, presented by The Tank for “SPATIAL FILM” on 5/1/2016